:: Navigation ::
- 1: THE PAST SLAVERY - THE PRESENT CULTURE.
- 2: Original locations of the slave trade.
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3: Art project about the history of slavery.
- 3.1: Historical prints about slavery.
- 3.2: Slave Ship.
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3.3: Screen printings of the rituals.
- 3.3.1: MUNDO BATALLA - TIERRA DE LOANGO.
- 3.3.2: MARIETA OF CENTURY XIX IN PERICO (TOWN OF SLAUGHTERS).
- 3.3.3: KUNANQUISA (ODUDUA) - TIEMBLA TIERRA - MAMA KENGUE (OBBATALA) .
- 3.3.4: FIRMA DE KALUNGA .
- 3.3.5: MAMÁ KENGUE - OBBATALÁ (OCHA-SANTERÍA) - LAS MERCEDES (CATOLICISMO).
- 3.3.6: SARABANDA MUÑUNGA TARAMBELE NDOKI.
- 3.3.7: CENTELLA SÁCARA EMPEÑO.
- 3.3.8: NFUIRI.
- 3.3.9: PARA ARREAR FULA (PÓLVORA).
- 3.3.10: TRONCO GUERRA PISA RAYO.
- 3.3.11: FIRMA PARA ESPANTAR UN ESPÍRITU.
- 3.3.12: TRAZO CON CENIZA PARA DESBARATAR MAKUTO JUDÍO.
- 3.3.13: LUCERO.
- 3.3.14: NKUYO - LUCERO.
- 3.3.15: BALUANDE - YEMAYÁ - 7 MARES EN TORMENTA.
- 3.3.16: KENGUE - OBBATALÁ (SANTERÍA) - LAS MERCEDES (CATOLICISMO).
- 4: Topics.
- 5: Press.
- 6: Career/ development.
- 7: Contact Form.
CENTELLA SÁCARA EMPEÑO
- The vertical central arrow indicates in this case: action.
- The horizontal line indicates the crossroads.
- The arrow in diagonal indicates the destiny for the outline of this double arrow. - the first circle indicates the inner spiritual force.
- The second circle indicates the spiritual force that is offered and received.
- Ñoca or majá describe the protective force and guide towards the infinite.
- The crossings and circles describe the positive and negative vibrations.
- The skulls mean the disturbing Nfumbe of the actions that surround to the Tata, Yayi (mother) or ngueyo (initiated).

